Bigil’ To Begin Journey With Around 10-15 crore - Movie Reviews

NOTE : PLEASE Don't Download Bigil 2019 Full Movie From Piracy Website Like Filmywap, Tamilrockers, Filmyzilla
In theaters: 25 October 2019
Cast: Nayanthara, Joseph Vijay, Jackie Shroff
Director: Atlee Kumar
Genre: Action, Drama, Sport
Producers: Atlee Kumar
Production companies: AGS Entertainment

Vijay-starrer Bigil is a games show with Tamil Nadu ladies' football crew at the front line. Any games show closes with the triumph of the group or an individual. It is the situation with Bigil also. As the ladies' football crew, hailing from oppressed foundations, secure triumph, the end credits roll and we see the words 'Committed to ladies.' However by one way or another, the film is never about the ladies. It is constantly about its star, Vijay, and how he gets everyone's attention regardless of whether it's not his scene to sparkle. For a film that is touted as a tribute to ladies, Bigil doesn't get a great deal of things right. Rayappan (Vijay) is a wear, yet a decent one in North Madras. He picks the life of brutality to secure the privileges of his kin. His child Michael Rayappan otherwise known as Bigil is a state-level footballer. Be that as it may, because of conditions, he turns into the savior of individuals in North Madras, abandoning his vocation. 

In the interim, Michael's companion (Kathir) is appallingly harmed, which powers him to assume control over his situation as the mentor of the Tamil Nadu ladies' football crew. The remainder of the film pursues Michael's adventure to winning the hearts of the ladies' football crew and how he 'guides' them to magnificence. Chief Atlee consistently knows the specialty of playing to the exhibition. Practically the majority of his movies are astutely bundled. So well, that there are components to fulfill individuals of all age gatherings. Bigil has a place with a similar kind. You get an anticipated story, yet Atlee, true to form, includes mass components, passionate scenes and kickass trick successions to keep you engaged in his item. With Bigil, the significant setback is the story and its protracted runtime (2 hours and 58 minutes). Indeed, even with three hours to itself, the film doesn't dig profound into the lives of the characters, which makes it hard to understand them. A large portion of the things are 'told' on screen and they're never appeared. Maybe, Atlee and a few different executives overlook this is a visual medium and that a few things are ideally left implied. 
The ladies' group win a game and there is an out and out festival move that continues for 2 minutes, which adds actually nothing to the story. Also, you see Nayanthara as the physiotherapist, yet she is barely observed carrying out her responsibility. Her sentimental segments with Vijay are not excessively amusing to watch on-screen. Be that as it may, Atlee gets a ton of things directly also. Bigil is a joy for Vijay's fans and Atlee's trademark style of extolling his 'annan' is noticeable all through. The movie producer adds a great deal of references to Vijay's prior movies and his very own past adventures, which are pleasant to spot. Going to the ladies strengthening point, Vijay leads the pack and he directs what the ladies ought to do on the field. Despite the fact that the football players are appeared to play the game, they generally need their mentor close by, generally poop hits the fan. 

In a specific scene, Vijay's character Michael is managing a corrosive assault unfortunate casualty (Reba Monica John). In spite of the fact that he encourages her to confront her greatest dread, he doesn't check whether she's prepared to handle it. Yet, the way Reba pulls off the scene will gain applauds the message and her presentation. 


Saand Ki Aankh’ To Begin Journey With Around 10-15 crore - Movie Reviews

NOTE : PLEASE Don't Download Saand Ki Aankh 2019 Full Movie From Piracy Website Like Filmywap, Tamilrockers, Filmyzilla
In theaters: 25 October 2019
Cast: Taapsee Pannu, Bhumi Pednekar, Prakash Jha
Director: Tushar Hiranandani
Genre: Biography, Drama
Producers: Balwinder Singh Janjua
Production companies: Reliance Entertainment

In Johri town, Uttar Pradesh in 1999, three spouses of the Tomar men are unendingly hidden. They are recognizable to the male fortification essentially by the shade of their shroud. Bimla, the oldest is red and Chandro (Bhumi Pednekar), the center one, is blue. So when the most youthful spouse Prakashi (Taapsee Pannu), goes to her new home, she should pick her very own shading. 

Tushar Hiranandani coordinates the location of the shading coding with a light hand. This scene outlines the subtext – this is life, happening to ladies who don't reserve the privilege to scrutinize business as usual. Male centric society, haughtiness and segregation are endemic in this primitive family. The men lounge around smoking hookah and treat the ladies as a workforce by day and an infant making processing plant around evening time. 


At the point when a shooting reach is set up in the town, Chandro visualizes a ticket for her granddaughter Shefali (Sara Arjun) and Prakashi sees a route for her little girl Seema (Pritha Bakshi) to break out of the cycle of disparity. In doing as such, the more established ladies find their very own dormant gifts as considerable sharpshooters. However, they can do so covertly. Family patriarch Rattan Singh Tomar (Prakash Jha) rules with an iron clench hand so it takes all their resourcefulness for the 60-year-old adaptations to discover reasons to go out of their town to contend crosswise over India.Pannu and Pednekar are awesome and spunky and grasp their parts despite the fact that their non-verbal communication and stance is variable. Bakshi and Arjun give commendable support.Much screen-time is taken returning to town life and ladies' holding in the back room, which hinders the account. There's likewise an irksome scene of an exquisite soiree where the ladies from Johri town are depicted as new of-the-pontoon blockheads drinking finger bowl water and pursuing flashing lights cast by a mirror ball.One can't overlook that more youthful, economically bankable on-screen characters have been matured up to play 60-year-olds (the make up configuration is fairly conflicting and unconvincing) while the more seasoned men are played by, well, more established men. 

Be that as it may, these are little niggles. Among a large number of biopics, over a wide span of time, Saand Ki Aankh stands separated on the grounds that it doesn't simply praise the accomplishment of two people. Chandro and Prakashi Tomar didn't simply energetically take up sharpshooting at 60. What recognizes them is the way they enlivened a more youthful age to break out of examples of concealment and, en route, affected the mentality of the men as well.

Housefull 4’ To Begin Journey With Around 15-25 crore - Movie Reviews

NOTE : PLEASE Don't Download Housefull 4 2019 Full Movie From Piracy Website Like Filmywap, Tamilrockers, Filmyzilla
In theaters: 25 October 2019
Cast: Akshay Kumar, Pooja Hegde, Kriti Sanon
Director: Farhad Samji
Genre: Action, Comedy, Fantasy  
Producers: Tasha Bhambra
Production companies: Apple & Mango Pictures

This is what the pundits are stating about the film including Akshay Kumar, Riteish Deshmukh, Bobby Deol, Rana Dagubatti, Chunky Pandey, Kriti Sanon, Kriti Kharbanda, Pooja Hegde, Ranjeet, Nawazuddin Siddiqui, Johny Lever 

When quality written substance makes all the difference, an outright parody like Housefull 4 has its work removed. Housefull 4, on its part, makes a trustworthy showing with a top pick cast of Akshay Kumar, Kriti Sanon, Ritesish Deshmukh, Bobby Deol, Pooja Hegde and Chunky Pandey, among others. The movie, coordinated by Farhad Samji, figures out how to stimulate your clever bone while appearing well and good. Peruse full audit This is Housefull 4. Four! There shouldn't have been even a solitary one, however there are four of these in the true to life universe! Moan! It takes a unique sort of ability to compose such articulate
non-sense for a hundred and forty-five minutes. Yet, Sajid Nadiadwala (maker and story), alongside Sara Bodinar (story and screenplay), Tasha Bhambra, Sparsh Khetarpal and Sajid Khan (he's been credited for screenplay regardless of everything) have that in wealth. Peruse full reviewThis film is a multi-starrer that is going by Akshay Kumar. He is a decent entertainer and you comprehend that with the sort of vitality and pizzazz that he places into this futile film. Despite the fact that teh personification of an eefiminate artist is pretty rankling, to give credit where it is expected, Riteish Deshmukh works admirably in changing himself inside a snap. Bobby Deol attempts to reproduce what Dharmendra had done and well, he pulls it off well. Peruse full survey 

Multistarrer giggling riot 'Housefull 4' hits the performance centers this week and on the off chance that you are thinking to get the motion picture, at that point ensure you watch the audit of the film by Senior Journalist and Author Bharathi Pradhan. Coordinated by Farhad Samji 'Housefull 4' stars Akshay Kumar, Riteish Deshmukh, Bobby Deol, Kriti Sanon, Pooja Hegde and Kriti Kharbanda.  

Sye Raa Narasimha Reddy’ To Begin Journey With Around 15-25 crore - Movie Reviews

NOTE : PLEASE Don't Download Sye Raa Narasimha Reddy 2019 Full Movie From Piracy Website Like Filmywap, Tamilrockers, Filmyzilla
In theaters: 2 October 2019
Cast: Amitabh Bachchan, Jenny Umbhau, Tamannaah Bhatia
Director: Surrender Reddy
Genre: Action, Drama, History 
Producers: Surrender Reddy
Production companies: Konidela Production Company

Surender Reddy’s Chiranjeevi starrer ‘Sye Raa Narasimha Reddy’ is hitting screens on October 2, not just in Telugu but also in Hindi, Tamil, Kannada and Malayalam.
The film also stars Nayanthara and Tamannah in lead roles apart from Vijay Sethupathi, Kichcha Sudeep, Jagapathi Babu and Brahmaji in key roles with Amitabh Bachchan, Anushka Shetty and Niharika Konidela starring in cameos. ‘Sye Raa’ tells the story of Uyyalawada Narasimha Reddy, one of the first freedom fighters who rose against the British East India Company. Set 10 years prior to the first Sye Raa Narasimha Reddy of Independence in 1857, an emperor from Rayalaseema who led a happy life decided to lead a revolution against the unjust treatment meted out to his people. He teams up with leaders of other regions in the country to reach his goal.

‘Sye Raa’ sees a story penned by Paruchuri Brothers, with music by Amit Trivedi, BGM by Julius Packiam, cinematography by Rathnavelu and editing by Sreekar Prasad. The film has a run-time of 171 minutes and has been certified U/A by the censor board. ‘Sye Raa’ was shot on a massive budget with Rs 75 Cr spent just on the much-hyped climax fight sequence choreographed by London-based stunt choreographers Greg Powell, Lee Whittaker and Ram-Laxman. Ram Charan has produced the film, to fulfil his father Chiranjeevi’s dream to act in a costume drama.


In the film Chiranjeevi plays the role of the titular freedom fighter, Sudeep as Avuku Raju, Vijay Sethupathi as Raja Paandi, Jagapathi Babu as Veera Reddy, Nayanthara as his wife Siddhamma, Tamannaah as classical dancer Lakshmi, Ravi Kishan as Basi Reddy, Amitabh Bachchan as Narasimha Reddy’s guru Gosayi Venkanna and Anushka Shetty as Jhansi Lakshmi Bai.
Calling ‘Sye Raa’ a ‘universal subject’, Chiranjeevi stated in a recent interview, “More than just being a visual wonder, the film has an emotional core that will resonate with everyone.” The actor is known for commercial films that showcase his dancing skills and sense of humour, so getting into the skin of Uyyalawada Narasimha Reddy wasn’t easy, said the actor in the interview. “Transforming into Narasimha Reddy required mental prep. It’s such an intense character minus all the commercial frills that I had to not just transform but also work hard to do justice to it,” he added.
With expectations super high on the film and fans gearing up for the film’s release, complete with massive cut-outs and flexis, it remains to be seen how it’ll fare.

War’ To Begin Journey With Around 23-30 crore - Movie Reviews

NOTE : PLEASE Don't Download War 2019 Full Movie From Piracy Website Like Filmywap, Tamilrockers, Filmyzilla
In theaters: 2 October 2019
Cast: Hrithik Roshan, Tiger Shroff, Vaani Kapoor
Director: Siddharth Anand
Genre: Action, Thriller 
Producers: Siddharth Anand
Production companies: Yash Raj Films

Hrithik Roshan- and Tiger Shroff-starrer film War is all set to release in India on October 2. The Gandhi Jayanti release promises high octane action clubbed with peppy songs and amazing visuals. While we have to wait for another day to watch Hrithik and Tiger come together on the big screen, a popular Dubai-based critic Umair Sandhu has already watched War, and given the action film four-and-a-half stars out of five.

Calling the film director Siddharth Anand's finest effort so far, the film critic took to Twitter and said, "#War is #SiddharthAnand's finest effort so far. The execution of the subject is such, you just can't help get transported to a world of make-believe. Action sequences as also the stunts do complete justice to the genre & the Indian audiences are bound to gasp with disbelief. 4.5/5"Umair Sandhu tweeted, “First Review #War from Overseas Censor Board ! If you are looking high-octane action scenes, sleek visuals, Rocking music and if you love masala movies, then #War should definitely be your pick for this extended weekend. #HrithikvsTiger will BLOW you. 4 and a half stars.”

In another tweet, he wrote, “First Review #War from Overseas Censor Board ! #HrithikRoshan transforms into a meat machine with #WAR, the actor makes you wonder, is there anything he can’t do? He’s the life and soul of the movie. #TigerShroff holds his own especially when in face-offs with Hrithik. 4.5/5”

Sandhu added, “#War is #SiddharthAnand’s finest effort so far. The execution of the subject is such, you just can’t help get transported to a world of make-believe. Action sequences as also the stunts do complete justice to the genre & the Indian audiences are bound to gasp with disbelief. 4.5/5”

Giving the film a four and a half stars, he added, “First Review #War ! #TigerShroff also gave Tough Competition to #HritikRoshan the movie. He also Stole the Show all the way. #VaaniKapoor looking Stunning & HOT in the movie. She also acts well. This will shatter previous records and set new ones. BLOCKBUSTER. 4 and a half stars.”

Finally pronouncing War a blockbuster, Umair summed up his review as, “BREAKING NEWS : First Review #War from UAE Censor Board :
■ #HrithikRoshan & #TigerShroff gave Top Notch Performances.
■ The film’s action sequences are bound to take your breath away.
■ Full on Racy Screenplay & Climax will Blow your mind.
4 and a half stars.”

Namma Veetu Pillai’ To Begin Journey With Around 4-6 crore - Movie Reviews

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In theaters: 27 September 2019
Cast: Sivakarthikeyan, Aishwarya Rajesh, Anu Emmanuel  
Director: Pandiraj
Genre: Action, Comedy, Drama
Producers: Pandiraj
Production companies: Sun Pictures,

It is to director Pandiraj’s credit that he manages to weave in adequate elements of love, sentiment and friendship in the dozen or more major characters that dominate the screenKollywood threw up Otha Seruppu last week that had Parthiban at the start of the film, and had only him throughout. There, he was alone and almost engaging in a storytelling session with the audience. This week’s release, the Sivakarthikeyan-starrer Namma Veetu Pillai (NVP) is starkly different. When we see Arumpon (Sivakarthikeyan) first, post a lengthy story narrated by his grandfather (Bharathirajaa) detailing their family tree, he is in the middle of a kabaddi match. Hundreds are cheering him from the sidelines. The frame is filled with people, and the cinema hall is filled with sounds from trumpets and nadaswarams.

That’s a sound you’ll hear for the rest of 150-odd minutes of Namma Veetu Pillai, a film that brings back to theatres some elements that Tamil cinema has long been associated with – ‘thangachi-annan pasam’ (brother-sister affection), tonnes of festivals and heck, even a liberal dose of melodrama. It is to director Pandiraj’s credit that he manages to weave in adequate elements of love, sentiment and friendship in the dozen major characters (yes!) that will dominate the screen.Storyline: A brother’s affection for his sister comes to test after she gets married


There is also conflict at the centre-stage of the film that is not quite direct. It arises thanks to Ayyanaar (Natty, an actor who I have been rooting for since En Kitta Modhadhey) who stands between this almost-sachcharine affection between Arumpon and Thulasi (Aishwarya Rajesh in a strong role done well). NVP is the tale of how the brother dotes on his sister and how he has to deal with her marriage to Ayyanar, someone Arumpon is not particularly friends with.

I wished that this ‘enemity’ had become the core of NVP, but Pandiraj has other ideas, ones that are partly engaging. There’s a major flashback in the second, which details the friendship between Arumpon’s dad and his bestie. A Hindu-Muslim angle presents itself. Village festivals and weddings go by. All these might remind you a bit of Rajinikanth’s Petta, but NVP is clearly not a star vehicle. It takes on severely-emotional tangents towards the end, probably justifying Pandiraj’s dig at his own work, terming it Pasamalar’s latest version.

Sivakarthikeyan comes to NVP after two not-so-favourable outings (Seema Raja and Mr Local), and this setting is, clearly, his turf. He aces the emotional scenes, and his camaraderie with Soori, though short, is enjoyable. His romance track with Maangani (Anu Immanuel) is a direct lift from the sequences of many of his own earlier films, but there is composer Imman’s score and Nirav Shah’s frames to cheer for.

The editing reminded me of the kind of cuts in a director Hari film (festivals and friendships blossom within the space of a few scenes and songs, and disappear even faster), but packaging them all neatly in limited time, and not letting the audience get bored, certainly spells ‘task accomplished’ in bold.


It Chapter Two’ To Begin Journey With Around 70-80 crore - Movie Reviews

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In theaters: 6 September 2019
Cast: Jessica Chastain, James McAvoy, Bill Hader  
Director: Andy Muschietti
Genre: Drama, Fantasy, Horror
Producers: Andy Muschietti
Production companies: KatzSmith Productions, Lin Pictures

IT Chapter Two is playing in cinemas, but while the sequel is an ambitious effort, it can't match the heights scaled by 2017's IT Chapter One. Both movies were directed by Andy Muschietti, adapting the twin storylines of Stephen King's novel IT into two separate features. Both have been commercial hits, although IT Chapter 2 won't beat the first movie at the box-office, while IT 2's reviews aren't as strong as the original's either.

The first IT was something of a surprise hit in 2017, at least in terms of just how good and successful it was, earning rave reviews and becoming the highest-grossing horror movie of all-time. Mostly starring a cast of teenagers, such as Finn Wolfhard and Sophia Lillis, alongside Bill Skarsgård's Pennywise the Dancing Clown, it captured the same 80s coming-of-age nostalgia feel that's made Stranger Things so popular. IT Chapter Two takes place 27 years later, with Skarsgård back as Pennywise. Although the kids do return in flashbacks, they're mostly replaced by a starry adult cast, including James McAvoy, Jessica Chastain, and Bill Hader.Despite so much shared creative talent and source material, IT Chapter 1 is a far superior film than its sequel. That's partly because of just how good it is, along with some (admirable) failings of IT Chapter Two, and also because of King's book as well.

Both IT and IT Chapter 2 are based on Stephen King's epic novel and, as with any adaptation, both make changes to the text, either because elements wouldn't work on-screen, for length, or because they might not play well in a modern live-action film (like IT's infamous orgy scene). But what matters most is capturing the tone and feel of the book, and in that department, IT Chapter 1 is a clear winner over its sequel.It might've taken out some of the really weird elements from King's IT book, like the turtle, but it really brought to life that mix of horror, humor, and heart that has helped make IT such an enduring work of fiction. That should extend to the second movie, but unfortunately it's lacking more than just weirdness, as it cuts down on all of those other elements as well. That might be more forgivable if it better tackled the themes of shared trauma and growing up with (or past) that as in King's novel, but here too it can't quite hit the mark, resulting in an uneven tone that doesn't quite mesh with either the novel or the movie that came before it.